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A New York Times bestseller
The original graphic novel adapted into the film Blue Is the Warmest Color, winner of the Palme d'Or at the 2013 Cannes Film Festival
In this tender, bittersweet, full-color graphic novel, a young woman named Clementine discovers herself and the elusive magic of love when she meets a confident blue-haired girl named Emma: a lesbian love story for the ages that bristles with the energy of youth and rebellion and the eternal light of desire.
First published in France by Gl�nat, the book has won several awards, including the Audience Prize at the Angoul�me International Comics Festival, Europe's largest.
The live-action, French-language film version of the book, entitled Blue Is the Warmest Color, won the Palme d'Or at the Cannes Film Festival in May 2013. Directed by director Abdellatif Kechiche and starring Lea Seydoux and Adele Exarchopoulos, the film generated both wide praise and controversy. It will be released in the US through Sundance Selects/IFC Films.
Julie Maroh is an author and illustrator originally from northern France.
- Sales Rank: #262823 in eBooks
- Published on: 2013-08-19
- Released on: 2013-08-19
- Format: Kindle eBook
Review
"Julie Maroh, who was just 19 when she started the comic, manages to convey the excitement, terror, and obsession of young loveand to show how wildly teenagers swing from one extreme emotion to the next ... Ultimately, Blue Is the Warmest Color is a sad story about loss and heartbreak, but while Emma and Clementine’s love lasts, it’s exhilarating and sustaining." Slate.com
"A beautiful, moving graphic novel." Wall Street Journal
"Blue Is the Warmest Color captures the entire life of a relationship in affecting and honest style." Comics Worth Reading
"A tragic yet beautifully wrought graphic novel." Salon.com
"Love is a beautiful punishment in Maroh’s paean to confusion, passion, and discovery ... An elegantly impassioned love story." Publishers Weekly (STARRED REVIEW)
"A lovely and wholehearted coming-out story ... the illustrations are infused with genuine, raw feeling. Wide-eyed Clementine wears every emotion on her sleeve, and teens will understand her journey perfectly." Kirkus Reviews
"The electric emotions of falling in love and the difficult process of self-acceptance will resonate with all readers ... Maroh’s use of color is deliberate enough to be eye-catching in a world of grey tones, with Emma’s bright blue hair capturing Clementine’s imagination, but is used sparingly enough that it supports and blends naturally with the story." Library Journal (STARRED REVIEW)
"It's not just the French who have a better handle on sexy material than Americans -- Canadians do, too ... Who's publishing it? Not an American publishing house but by Arsenal Pulp Press, a Canadian independent." Los Angeles Times
"A deeply compelling story ... Maroh displays tremendous insight into the highs and lows of a young girl’s journey of self-discovery as she moves from adolescence into adulthood." —Lambda Literary
"A hymn to love." Le Figaro
"A sensitively told narrative." Tetu Magazine
About the Author
Julie Maroh is an author and illustrator originally from northern France. She studied comic art at the Institute Saint-Luc in Brussels and lithography and engraving at the Royal Academy of Arts in Brussels, where she still lives. After self-publishing three comics collections, her French-language graphic novel Le bleu est une couleur chaude was published by Gl�nat in 2010; it won several awards, including the Audience Prize at the Angoul�me International Comics Festival, Europe’s largest.
Most helpful customer reviews
54 of 57 people found the following review helpful.
Beautiful
By Slefcool
I have never been so in love yet so heartbroken by the same story. It really is a poetic story about a girl accepting herself. And the hopes of an eternal love. Perfection. Really I recommend it to anyone, lesbian or not. It helps you realize love is not something defined by gender, but by what is in your heart.
48 of 51 people found the following review helpful.
An extraordinary love story so realistic that it hurts.
By The Blue Thunder Bomb
Now that Julie Maron's BLUE IS THE WARMEST COLOR is coming to theatres in a feature film that not only won the very prestigious Palme D'or at this year's Cannes Film Festival, and that it was smacked by the MPAA with the dreaded NC-17 rating for its explicit sexual content, and that there is an ongoing war of words between the film's two leads and its director, it should generate enough publicity for not only people to see the film, but to also hopefully discover this remarkable graphic novel.
Simply enough, the novel, written and drawn by Maron, is about a fifteen-year-old girl Clementine who is doing her best to be a "normal" young girl. She dates a senior at her high school, she studies for her exams, and she has the "right" friends. Until one moment of one day, as she's walking down the street, she passes a beautiful older girl with dyed blue hair, and she cannot get this girl out of her mind. The blue-haired beauty invades her dreams with shocking sensual and sexual imagery, and Clementine can't understand what these feelings mean. She just CAN'T be gay. She refuses it, and in that refusal, her passion for this mystery girl grows. As she sneaks out one night to be with her best friend, Valentin, who is a young gay man, they go to a gay bar, and Clementine meets the mystery girl. Her name is Emma. And from then on, Clementine, no matter how hard she tries, she can no longer deny the feelings of love and lust she has for Emma. But once they finally realize who they are to each other, all the other parts of Clem's life start to spiral out of control. Her parents refuse to accept their daughter's deviant lifestyle, as do her straight friends. Soon, all she really has is Emma, and for a even a short time, that's more than she ever thought possible. But time catches up to all, and it catches up to Clem in a tragic way that is certain to leave everyone in tears.
Maron gives Clementine such a realistic voice that any adolescent or someone who survived adolescence and the awakening of desire for love and sexuality can immediately relate. You feel your heart lift when hers does, and even more so, you feel your heart break when hers does. The art and particularly her use of color is excellent. The writing is so strong that you really feel that you're with these characters, and even though you may find some of them despicable, you understand them. Maron never makes the mistake of painting stereotypes of any of the characters, so that even when they do or say something terrible, you understand where they're coming from.
And this is the only other graphic novel, aside from Art Spiegelman's MAUS, that has ever made me cry.
Again, though, we must go to the place that I hate to go to, which is the argument of Art Versus Pornography. This book, which I'm sure is probably banned in more than a few libraries, has a sequence of graphic sex between Clementine and Emma. This will be objectionable to many parents of adolescents who may receive comfort from the emotional realism of the book, but it is NOT pornography. Pornography is meant for the sole purpose of sexual stimulation, and is not intended to show realistic portrayals of sex. And believe me when I state that there is nothing resembling that in the least in this book. Is it erotic? Yes. Is it art? Yes. Is it pornography? Absolutely not.
BLUE IS THE WARMEST COLOR is an extraordinary graphic achievement, and it's something that I would recommend to anyone with a love for great storytelling and an open mind.
32 of 33 people found the following review helpful.
Fantastic Graphic Novel
By Macadania
My only complaint is that it's too short, but only because I burned through those pages incredibly quickly.
The artwork is so well done, and the simple techniques Julie Maroh uses to carry the emotion and the unfold of the story keeps you glued to the pages. The romance between the two main characters is so palpable. Recommended for anyone seeking an LGBTQ read, or an amazing story about the ups and downs of coming of age love and passion.
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