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Intervallic Improvisation - The Modern Sound: A Step Beyond Linear Improvisation, by Walt Weiskopf
Download PDF Intervallic Improvisation - The Modern Sound: A Step Beyond Linear Improvisation, by Walt Weiskopf
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Recording artist and master improviser, Walt Weiskopf, presents the simple technique of using only two triads to create long, exciting phrases for all improvisers. You will find yourself suddenly sounding much more hip and 'modern' with this technique, and yet it is fairly easy to understand. Walt explains the technique, and then gives you plenty of material to work on to get this method 'under your fingers.' This is definitely a recommended book for intermediate or advanced players who are looking for something to help take them to the next level. Use intervallic techniques to expand and enhance your musical performance in whole new directions.
- Sales Rank: #544333 in Books
- Published on: 2010-09-07
- Original language: English
- Binding: Paperback
- 136 pages
Most helpful customer reviews
8 of 8 people found the following review helpful.
Worth the work
By James Erickson
Read it, play it, read it again, play it some more, and your improvisation will without a doubt be lifted to a much higher level.
4 of 4 people found the following review helpful.
Good book for improvisors
By Joe F
Walt Weiskopf is a great tenor player. This is the first book of his I have brought of his - it's a good book for more advanced players who are looking to approach the topic of intervallic improv.
2 of 2 people found the following review helpful.
Jazz Instructor, Performer Review
By Randall C Kemp
As usual Walt writes another wonderful book. After using (and teaching) with "Around the Horn" ( a more moderately hard book compared to this one) I decided to check this one out and see if it could help either my own study or some of my advanced students'.
Unlike, "Around the Horn" this book is even more technical and uses academic musical terms that would most likely be lost on those with little music theory knowledge. Even I, a learned musician, had to read a couple sentences twice to make sure I understood what he was saying.
This book is an introduction to not only "triad pairs" but also triads themselves and the roles they play in jazz improvisation. This book being written by a saxophonist, will of course be of most use to a saxophonist horn wise (as it plays the entire range of that instrument). A jazz pianist, for example, would take the beginning exercises and play them up an octave-- assuming they also wanted to voice chords below.
Even for a seasoned player, just the sight reading alone in this book is a plus. Aside from that you can look at what you already play and how it fits into the material in this book. (Theoretically, that is).
Bottom line; this is a great book either for extremely knowledgeable amateurs (ie late high school/college) and for working musicians it not only gives a name to what you already do (but don't know what to call it) but makes for some excellent sight reading challenges.
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