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[N317.Ebook] PDF Ebook Funerary Sculpture (Athenian Agora), by Janet Grossman

PDF Ebook Funerary Sculpture (Athenian Agora), by Janet Grossman

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Funerary Sculpture (Athenian Agora), by Janet Grossman

Funerary Sculpture (Athenian Agora), by Janet Grossman



Funerary Sculpture (Athenian Agora), by Janet Grossman

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Funerary Sculpture (Athenian Agora), by Janet Grossman

Funerary Sculpture is the first volume on sculpture from the Agora in over 50 years, bringing together all the sculpted funerary monuments of the Athenian Agora, Classical through Roman periods, which were discovered during excavation from 1931 through 2009. The wide chronological span allows the author to trace changes in funerary monuments, particularly the break in customs that took place in 317 B.C., and the revival of figured monuments in the Roman period.The study consists of three essays followed by a catalogue of 389 objects. The author places the Agora sculptural fragments within the greater context of Attic funerary sculpture, moving from a general to a specific treatment of the funerary sculpture. The first essay is an overview of the study of Attic types of sculpture; the second discusses the specific features of funerary sculpture from Athens and Attica; and the third examines the characteristics of the funerary sculptures found in the Agora, thereby forming an introduction to the catalogue that follows. The catalogue includes stelai and naiskoi with female and/or male figures, sirens, decorative anthemia, funerary vessels, lekythoi, loutrophoroi, animals, mensa, columnar monuments, and more. There are separate indexes of museums, names, demes, places, and findspots, as well as a general index.

  • Sales Rank: #3143744 in Books
  • Published on: 2014-01-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.32" h x 1.06" w x 9.29" l, .0 pounds
  • Binding: Hardcover
  • 248 pages

Review
Overall, this book is a real treasure trove for students and researchers working in the field of funerary sculpture. With her careful separation of facts from interpretation, her concisely expressed critical evaluations and comments, Grossman provides an excellent foundation for future research. There are no fancy or fashionable theories or wild speculations to be found here: instead, profiting from 20 years of work on this material, she has presented a timeless scholarly book which will no doubt be consulted for many years to come. (Anja Slawisch, German Archaeological Institute, Istanbul Bryn Mawr Classical Review)

About the Author
Janet Burnett Grossman is Assistant Curator of Antiquities at the Getty Museum.

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