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Guillermo del Toro, one of Hollywood’s most popular and imaginative storytellers (Pan’s Labyrinth, Hellboy) and Hammett Award-winning thriller writer Chuck Hogan (Prince of Thieves) return with The Fall, the second blood-chilling volume in their critically acclaimed, New York Times bestselling Strain Trilogy—the basis for the FX series.
The Fall picks up where The Strain left off—with a vampiric infection spreading like wildfire across America as a small band of heroes struggles to save the dwindling human race from the vampire plague. Horror fiction and dark fantasy fans will be swept up in this epic story that bestselling author Nelson DeMille describes as “Bram Stoker meets Stephen King meets Michael Crichton.”
- Sales Rank: #137644 in Books
- Published on: 2014-06-24
- Released on: 2014-06-24
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 1.01" w x 4.19" l, .0 pounds
- Binding: Mass Market Paperback
- 448 pages
Amazon.com Review
The vampiric virus unleashed in The Strain has taken over New York City. It is spreading across the country and soon, the world. Amid the chaos, Eph Goodweather—head of the Center for Disease Control’s team—leads a small band out to stop these bloodthirsty monsters. But it may be too late.
Q: You’ve written screenplays and directed numerous movies, to name a few of your many accomplishments. What motivated you to write a novel?
Del Toro: Well, it’s a different challenge, but I've always written short stories and then, in my film work, storylines for movies (the storyline is a slightly "freer" form than screenplay writing) I have published some of my short stories in the past and it is my secret dream to write shivery tales for young readers. My favorite author in that sense is Roald Dahl who mixed it free-style between the grotesque and the magical. I love the short story form as a reader but if a novel has a terse structure I find it far more immersive and fulfilling. Nevertheless some of my favorite authors, Borges, Quiroga, Saki, etc. are masters of the short story form. The novel grew out of appetite and scope.
Q: You are one of the most extraordinarily imaginative and creative thinkers working in the arts today. What were some of the influences that have contributed to your success? Do you have any kind of a muse?
Del Toro: Curiously enough I regularly draw more inspiration from painters and books than I do from other films. Painters like Carlos Schwabe, Odilon Redon, Fliecien Rops, Bocklin, Freud, Bacon, Thomas Cole and many others, never fail to excite me and in the book front there are just as many authors... Dickens, does the trick every time as does Wilde, Rulfo, Quiroga, etc.
Q: Many of your movies have centered on fantastical characters. Why did you choose to write your first novel about vampires?
Del Toro: All of my life I’ve been fascinated by them but always from a Naturalist's point of view. Cronos, my first movie, wanted to be a rephrasing of the genre—I love the rephrasing of an old myth. When I tackled Blade II, I approached it with a myriad of ideas about Vampire Biology but only a few of those made it into the film. Tonally, the movie needed to be an action film and some of the biological stuff was too disturbing already... I love the idea of the biological, the divine and the evolutionary angles to explain the origin and function of the Vampire genus. Some of my favorite books about Vampirism are treatises on Vampiric "fact”--books by Bernard J Hurwood, Augustin Camet, and Montague Summers.
Q: There are many stories, movies, and even a television show involving vampires. The Strain Trilogy uses the idea that vampires are a plague, and that the lead hunter is a scientist from the Centers for Disease Control. What was your inspiration for this twist?
Del Toro: When I was a kid I loved The Night Stalker and I fell in love with the idea Matheson and Rice posited, of exploring a creature of such powerful stature through the point of view of a common worker, a man used to deal with things in a procedural way. "Just another day at the job...".
Q: How did you and Chuck Hogan come together to write The Strain Trilogy? How does your collaboration work?
Del Toro: It was a true collaboration. I had created a "bible" for the book. It contained most of the structural ideas and characters and Chuck then took his pass on it and invented new characters and ideas. Fet (one of my favorite characters) was completely invented by him. And then I did my pass, writing new chapters or heavily editing his pass, and then he did a pass on my pass and so on and so forth. This is the way I have co-written in the past. I loved Chuck's style and ideas from reading his books and I specifically wanted him as a partner because he had a strong sense of reality and had NEVER written a horror book. I knew we would complete each other in the creation of this book. What surprised me is that he came up with some gruesome moments all on his own! He revealed himself to be a rather disturbed man!
A Q&A with Hammett Award-winner Chuck Hogan
Q: What most surprised you about working with Guillermo Del Toro? Has working with him impacted your own work? In your former career as a video store clerk, did you ever in your wildest dreams imagine working on a project like this—with a legend like Del Toro?
Hogan: I'd never co-authored anything, nor had I published a true work of horror before, and here I was embarking on an epic trilogy with a master of the genre. I probably should have been more intimidated--yet I felt an immediate kinship with the material, as well as true excitement at the challenge of bringing the story to life, both of which carried me through. Guillermo is a daunting first audience, and yet an incredibly generous collaborator. Not to mention an amazing resource: it's just fun to have to ask him a question—say, about why the vampires run hot instead of cold—know that, not only will he take me through their intricate biology, but he will embroider the account with corroborating examples from the field of entomology, marine life, and some arcane fact about the function of human blood platelets.
Q: The Town, Devils in Exile, and The Killing Moon, probe the dark side of human nature. What draws you to this theme, and to the genre of suspense?
Hogan: Crime and horror are both genres of existentialism, and I am drawn to stories of man at his extremes, of people who find themselves tested, haunted, threatened. I believe a writer should challenge himself in his work just as he challenges the characters in his story—that anything less would be inauthentic and dishonest. What I love about The Strain is that the journey of the story takes this maxim and multiplies it by one thousand.
From Publishers Weekly
Set over the course of three intense weeks, Del Toro and Hogan's gripping second volume in their near-future vampire trilogy picks up where The Strain, the first volume, left off, as the undead, aided by elderly Eldritch Palmer, one of the world's three richest men, tighten their hold on the planet. Epidemiologists Ephraim Goodweather and Nora Martinez, Holocaust survivor Abraham Setrakian, and Vasiliy Fet, "New York City Bureau of Pest Control Services worker and independent exterminator," oppose the vampires (or strigoi), as they did in the first book. Setrakian pins his hopes for stopping the vampires on tracking down a 17th-century grimoire that describes the origins of their leaders, the Seven Original Ancients. Despite the story's essential grimness, the authors manage to inject some sardonic humor, even as the plot developments will leave readers wondering how the concluding book can possibly end well.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Acclaimed film director Del Toro (Pan’s Labyrinth) and popular thriller writer Hogan (Devils in Exile, 2010) turn in the second entry in their vampires-versus-humanity trilogy, after The Strain (2009). Just two months after vampires landed at New York’s JFK airport, civilization is fast disappearing as the vampiric virus makes its way across the country and the world. Disgraced former Center for Disease Control director Eph Goodweather is leading a small but fierce band of resistors, but he is increasingly sidetracked by the devastating attacks of his ex-wife, Kelly. She has been turned into a vampire and is now after her “dear ones,” specifically her 11-year-old son, Zack, who both fears and longs for his mother. It’s left to the wily old vampire fighter Setrakian, a former professor and Holocaust survivor, to come up with a game plan. He determines that the key to defeating the vampires lies in an ancient and valuable book, which is currently on auction at Sotheby’s. All he needs is $25 million and some chutzpah to save humanity. With its taut pacing and macabre fight scenes, many of which take place in NYC’s old subway tunnels, this scary novel should appeal to fans of both vampire and horror novels. --Joanne Wilkinson
Most helpful customer reviews
73 of 84 people found the following review helpful.
Vampire Apocalypse
By Justin G.
After unleashing a vampire plague on New York City in The Strain (The Strain Trilogy), filmmaker Guillermo del Toro (Pan's Labyrinth, Hellboy) and Chuck Hogan (The Town: A Novel) are back to finish off humanity in the appropriately-titled sequel The Fall.
While The Strain spent a great deal of time on vampire biology and the spread of the virus, The Fall gets right to the struggle against the scourge. With the city (and soon the world) falling all around them, vampire hunter and Holocaust survivor Abraham Setrakian and his allies (which now include gang leaders, CDC researchers, an exterminator and an aging Mexican wrestler!) mount a fierce resistance to the vampire strain. Their struggle against the vampire overlord known as the Master brings them in contact with the very first vampires, who want the Master stopped for their own reasons.
If The Empire Strikes Back taught us anything, it's that middle volumes in trilogies are downers. The Fall is no exception. Our heroes get battered and beaten, and the ending is so far from happy that you wonder if there will be anything left to save in book 3. The fight goes on though, and the story is so very compelling. Del Toro and Hogan have given us some very real, very believable characters and set up a truly frightening scenario that's both a great read and one that unfolds in a very cinematic manner.
The Fall is every bit as impressive as The Strain, and is one of the absolute best apocalyptic tales I've ever read. Like The Strain, I was compelled to read this book in one sitting, and was totally enthralled from start to finish. Waiting for the final volume in this trilogy is going to be tough.
36 of 43 people found the following review helpful.
"The Strain" Was A Strain But I Fell For "The Fall"--Non-Stop Action And Great Characters Improve This Vampire Epic
By K. Harris
Being a huge Guillermo Del Toro fan ("Pan's Labyrinth" was easily my favorite film of the year it was released), I was so stoked to hear he was partnering to author a modern vampire epic. It is not an exaggeration to say that "The Strain" was something I was super excited to read. But, probably unlike many other reviewers here, I actually did not like "The Strain." While its early chapters were creepily ominous and the creature conception was strong and unique, I just felt like that novel lacked a bit of heart. More concerned with staging battles and set-up, I didn't particularly care about the characters. The authors introduced a massive cast but, for some reason, I was disconnected from the humanity of the tale. It's hard to appreciate an epic battle when you're somewhat ambivalent about its participants. That said, I feel that "The Fall" has more than made up for what I felt was cold about "The Strain"--and I'm pleased to look forward to the final chapter!
Picking up immediately after the disappointing encounter with the Master, we are quickly reintroduced to the primary cast. The story remains the same, but a secret agenda for the fate of the Earth is uncovered throughout the pages. Vampire hunter Abraham Setrakian is still one of the story's most compelling characters. If anyone steps to the forefront in this chapter--it is him. He is the glue that holds the disparate members of a ragtag band together--including a CDC official, an exterminator, a street tough and a retired wrestler (my personal favorite). While the Master is still pure evil, I actually preferred the human antagonist Eldritch Palmer who uses his power and money to secure a place in the final plan. His confrontations with the Master in jockeying for leverage are among the book's stronger sequences and his story line plays out brilliantly.
Because I cared about the characters, the sense of tension and horror were much stronger in "The Fall." There is an introduction of vampiric children (which I won't spoil by saying too much) that are, to me, easily the most disturbing creation yet. Del Toro and coauthor Chuck Hogan do a great job interspersing history and back story into the current mayhem. The chapter breaks are often cliffhangers which propel the reader forward at a faster and faster momentum until we reach another inevitable confrontation. Not surprisingly for an epic, we lose some major players in "The Fall"--but things seem well positioned for the final installment. But is there anything left to save?
6 of 6 people found the following review helpful.
The Rapture?
By Mel
I have been fascinated, almost obsessed, with reflections in mirrors since the night I peeked through the TV room door where my parents were watching Friday Night Chiller on TV...there was this scary caped dude, (with hair that went down to a point in the middle of his forehead like my grandma's)...who was hypnotizing this lady with just his freaky eyes, oooohhhh...he stood beckoning her to him with two fingers, his dark cape obscurring his lower face. THEN...the camera panned wide and the woman was shown floating, blank-eyed, toward creepy guy, and THERE WAS NO REFLECTION IN THE MIRROR...he uncovered his face, and there he stood with his menacing grin and evil eyes, DRACULA, in front of an ornate mirror that reflected nothing but the woman's limp back!!! GASP! I was discovered, hauled back to bed, and spent the remainder of the night with a bad case of the shivers, eyes wide and transfixed on my vanity mirror.
You know why that mirror was empty?? Most likely you thought it was some pulled-out-of-the-air reason like "vampires have no soul" or something along those lines. But let me give you the REAL reason, which I just learned: vampires don't produce a reflection in mirrors because of the SILVER backing used to make mirrors. Silver is considered nature's ANTIBIOTIC, a natural weapon against viruses and superbugs, and Vampirism, we now know,(though it has been suspected in prior books, but not qualified) is a virus! Therefore, silver is the mortal enemy of vampires--it destroys them! Just when I had dispelled any childish reason to be frightened, and finally figured it was all a silly legend, del Toro and Hogan pull a Carl Sagan on me, and I'm scared anew! This new information has surely ushered vampires out of the dark realm of make-believe, and into the concrete category of scientific plausibility. (And that goofy old Van Helsing, running around with his holy water and crossbow all these years, teeheehee.)
I like the classics, read most of the "best-sellers", and avoid science-fiction, but I do love me a good scare now and then, something spooky and monstrous, that harkens back to that night Dracula entered my consciousness. Finding a well written, intelligently plotted, engrossing horror book, with some measure of plausibility, light on the gore factor, and something you aren't ashamed to have on your nightstand, or suggest to your friends, is challenging. With the exception of twinkly romatic vampires and teenaged werewolves and witches, it seems the horror aisles have been strictly for the hard core horror-geeks lately. The Historian, may have been the last dignified "horror" book published, and possibly the pedigreed Under the Dome.
Then along comes The Strain Trilogy; written by a magnificent pairing--an extremely creative academy award nominee, and a prize-winning crime thriller writer. Del Toro and Hogan bring us the stuff Dracula's nightmares(or daydreams) are made of--Sardou the strigoi (google it!); from the little mountain Romanian village where the legendary creature roams at night with his walking stick, his pockets full of candy for the children...pik pik pik...to Europe and the Black Plague, the Nazi death camps, civil wars and unrest, natural catastrophic events...pik pik pik...even the Chernobyl meltdown...he has always been there, like a fiendish maestro. Now he's ready to go public and hungry for more than blood. The Fall picks up exactly where The Strain ended. Some great new characters join the war, even add a little mirth, the group intelligence of the turned is growing as fast as the population, and even the heavens seem to be conspiring against humanity. Legends are turned on their heads and explained like scientific data--the loose threads of authors from years of writing tied together with amazing creativity. This is good ol'goose-bump, run-up-the-stairs, turn-on-the-lights, pull-up-the-covers GOOD reading; and sadistically fun! Like the middle of many trilogies before, The Fall gets a little bogged down with the mechanics of trying to connect what has happened to what is going to happen, and still have some independence; the astronaut could have been tied to the occultation rather than just an observer--seemed a little random(can't say much more-plot spoiler). But, overall it keeps up a breathtaking pace, and the commentary on humanity has not been so heavy handed that the plot stumbles over and around it. Recollected memories cleverly reveal that there are no coincidences, and are slick and colorful vignettes that add depth and definition to the characters and events. I both read The Strain and listened to Ron Perlman's audio version--a real treat, highly entertaining presentation! Hopefully an audible version of The Fall will soon be released and Mr. Perlman will again be the narrator.
Chances are you'll like this book if:
1. You like writing that is clever and smart, and not an affrontery to your intelligence.
2. You like a story that ties up those little ends instead of leaving them as collateral damage. (How come Dracula's clothes didn't show up in the mirror?)
3. You want a dignified scary read, something a little high-browed, that isn't just horror-geek fodder.
4. You can put down anything else you are supposed to get done and turn those pages without guilt--power read.
5. You can appreciate a book for its genre and not critique everything compared with Faulkner's or Ayn Rand's works.
6. You can roll with it--get into the "facts" without rolling your eyes; sink your teeth into it.
7. Your ready for the return of some ugly, funky vampires that scoff at garlic and holy water, and don't respect women or children, or the good guys.
8. You've already invested time and money on Part I.
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